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Theatre
Kalo Akshyar Rato Akshyar critiques the state of Nepal’s higher education system
2 months ago
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Making of Wedding Album: Aiming to unmask hypocrisy in Nepali society one frame at a time
3 months ago
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‘The government should work on building a platform for growing theatre artists’
3 months ago
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Awaken your senses at ‘Chakra The Wheel’ to rediscover yourself
4 months ago
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Making of Tranzit: Absurd message concealed in subtle theatrical brilliance
5 months ago
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The resonating echoes of Nepali youths
5 months ago
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Ashesh Malla: Having given his all, the veteran theatre practitioner now wants to sit and watch the scene grow
6 months ago
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Buddha Ra Bhikhari: Shadow puppetry’s strange and stunning delight
6 months ago
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Vulture Theatre: Custodians of nature are misunderstood in Nepal, but here’s a drive to change this
6 months ago
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All you need to know about all theatres in Kathmandu
7 months ago
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Of the kids, by the kids, for the kids: Why does this group want more children in the theatre?
7 months ago
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Euta Sapanako Awasan: Nepali adaptation of Death of a Salesman sells promises
8 months ago
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Jonathan Paul Cook: An effort to bring European theatrical skills to Nepal
8 months ago
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Bimoksha at Shilpee Theatre extended by a week
8 months ago
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Theatre in Nepal: The perpetual challenge of turning passion into profession
8 months ago
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Bimoksha: New play offers deep thoughts and questions in the guise of a strange love story
9 months ago
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Munmun drama review: A long wait for love–both relevant and irrelevant–manifested artistically
9 months ago
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Learning from Barun Kar, Nepali theatres hope to improve light designs. What were his key lessons anyway?
10 months ago
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Deurali Daandi/The Last Chapter of Ghatu: This enigmatic play helps you answer many questions about gender
11 months ago
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Mahabhara play, adapted from the novel, being staged in Ilam
11 months ago
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